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Mick Devine
PAINTINGS
Mainly acrylic on board.
Left: "Just take a flower and move along folks...now." 90cm x 120cm.
Below: "What's the time Mr Wolf?" 110cm x 90cm.
Right: "The Lady of the House'" 90cm x 120cm.
Left: "The Gods of Football" 90 x 120cm. Below: "Old footballers never die, they only go to extra time"
Below: "Little Big Horn" 120cm x 90cm.
CORPORATE CARICATURES
Ex Disney artist Mick Devine has provided colourful entertainment at corporate functions, trade shows, festivals and at the very poshest of parties all over Europe and, of late, here in WA. His clients include The London Stock Exchange, The Paris Opera House, The Albert Hall, Elton John and The Royal Family. A graduate of St Martin’s School of Art in London, Mick has produced over 30,000 party portraits and he’s very good at it. The drawings are A4 and in colour, are never cruel and are designed to amuse guests and, importantly, to provide a lasting memento of your event. Strangely drawn? You will be!!
Contact thedevinemick@yahoo.com.au
“Mick Devine was great, a fabulous little surprise for our guests to leave with a caricature of the family and so lovely and personable (and patient with the kids!). The feedback on the event has been really positive, please pass on my thanks to all. I look forward to working with you again soon.” Lisa Coyle. Perth Zoo.
"Hi Mick, thanks so much again for coming down! I could see (in-between running around) the caricatures were an incredibly popular activity and the feedback we’ve had was great.Thanks again!"
Hayley Mazzucchelli, Events Officer, City of Bunbury
ILLUSTRATION/ DESIGN
Illustration and design work by request. Contact Mick on thedevinemick@yahoo.com.au
TATE GALLERY
Mick's conceptual artwork, "Thirty Minutes in the Life of an Artist" hangs (around) in London's Tate Modern. Some have written it off as an infantile joke as the artwork is in the form of an idea: it's the thirty minutes Mick spent waiting for a train at Charing Cross Station on Friday June 23, 1978, from 12.15-12.45pm. Challenging, isn't it?
The occupation of a seemingly empty existential space offers a new and exciting counterpoint to the obstinately literal approach to ‘notions of being’ so apparent in the socio-politicisation of art theory in recent years. This artwork reflects the uncertainties of our times while providing a reassuring substantiation of the past."
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